The Top 50 Albums of the Decade

The past decade has been good to us, beginning with the question that prelude’s every decade:  what music will define this decade?  For me, the 2000s were absolutely the decade for indie rock!  I’m not alone in this thought either.  The genre exploded into mainstream consciousness over the course of the last 10 years, thanks in large part to the internet, iPods, and digital music in general.  I probably consumed more music in a single year of this decade than I had in all my years prior to it!

But the list below isn’t just a list of indie music.  It is simply a list of my favorite albums, and the memories that each one of them bring to mind.  I hope you find some enjoyment in my reflections on the greatest decade I’ve yet to live through, and I hope that this next 10 years is just as kind to us.

CLICK HERE TO VIEW THE TOP 50

#50. The Elected: Sun, Sun, Sun (2006)
One-Liner: A charming, if not perfect, road trip album.

Life-Defining Moment: The only memory I have in my head currently, is driving down Hanna Rd. on my way home from work, shortly after picking up Sun, Sun, Sun. I wasn’t all that into it. Then Blake Sennett sings, “Your check’s signed in diapering ink,” on “Fireflies in a Steel Mill.” The band kicks in, the drums start up, and suddenly, I’m enlightened or changed in some small insignificant way.

Best Song: “Fireflies in a Steel Mill”

#49. Metric: Old World Underground, Where Are You Now? (2003)
One-Liner: The first Metric album I ever heard, and still their best.

Life-Defining Moment: I think it was 2004 when I first listened to Metric, so there are a lot of memories here. The first one that pops into my head is driving around with my friend and his girlfriend, trying to get her to appreciate indie music. Metric was my way in. And while she acknowledged the awesomeness of this album, I don’t think she ever crossed over. Her loss.

Best Song: “Succexy”

#48. St. Vincent: Actor (2009)
One-Liner: One of the strongest female solo albums of the last decade, though not as memorable as her first.

Life-Defining Moment: Having been released within the last 12 months, there are too many moments still floating around in my head (I just listened to this 4 days ago). But the coolest Actor-related moment for me was seeing the video to “Actor Out of Work.” It was upon viewing it that I officially fell in love with Annie Clark. xoxoxo –Just kidding.

Best Song: “Actor Out of Work”

#47. Bjork: Medulla (2004)
One-Liner: An album that completely changed what I thought about music.

Life-Defining Moment: I was going to school in Dallas at the time Medulla came out. I remember putting this CD in my old-school Xbox and watching the visualizations as I got lost in the complexity of it all. It is an album featuring only the human voice (mostly), for those of you not in the know, and was the first full Bjork album I ever heard.

Best Song: “Where is the Line?”

#46. Headlights: Kill Them With Kindness (2006)
One-Liner: An unfocused, but relentlessly charming debut album.

Life-Defining Moment: I got a copy of this album by renewing my subscription to Under the Radar magazine. I remember opening the package and being disappointed by the CD they ended up sending me. As it turns out, it was probably the best option.

Best Song: “Songy Darko”

#45. The Streets: The Hardest Way to Make an Easy Living ( 2006)
One-Liner: Mike Skinner’s most commercial, and coincidentally, solid Streets album.

Life-Defining Moment: My sister was dating a guy named Mitch at the time of this album’s release. He mentioned The Streets to me one day, and I responded with a “Meh, I don’t really like it.” But for some reason, I downloaded it anyway. And I loved it! It was one of the first albums I ever reviewed on Audio Overflow (it wasn’t even called Audio Overflow at the time), and I still think of it fondly.

Best Song: “Prangin’ Out”

#44. The Honorary Title: Anything Else but the Truth (2004)
One-Liner: A random purchase gone well.

Life-Defining Moment: In 2004, I was trolling Best Buy with a friend, looking for a random CD to buy. I did this from time to time, based solely on album covers. It just so happened that Anything Else but the Truth has an awesome cover. So I picked it up, listened to it, made fun of it, and discarded it. It wasn’t until a week later that I gave it a serious listen and discovered how awesome of an album it was.

Best Song: “Revealing Too Much”

#43. Of Montreal: The Sunlandic Twins (2005)
One-Liner: The CD that changed everything.

Life-Defining Moment: I’m at Jeremy’s house one night, and we’re all hanging out. In walks Nathan, who I introduced to Of Montreal a month earlier with their 2001 album, Coquelicot. I’m eager to show him the new CD, so I put in Sunlandic Twins and wait to see everyone’s reactions. I remember how cool it seemed at the time. Now, it’s more tired than anything else. Still solid though.

Best Song: “The Party’s Crashing Us”

#42. Justice: ✝ (2007)
One-Liner: The best pure electronic album of the decade

Life-Defining Moment: I don’t know what I was expecting when I downloaded ✝ for the first time, I just know it couldn’t have been what I got. All I know is, I was reading the review on Pitchfork, and the next thing I know I’m downloading it. A few minutes later, I’m completely entranced. A few years later, nothing has changed.

Best Song: “D.A.N.C.E.”

#41. Band of Horses: Cease to Begin (2007)
One-Liner: A stereotypical indie rock band makes a not-so-stereotypical album.

Life-Defining Moment: You know that moment in “Is there a Ghost” when all the electric guitars and drums kick in? Yeah…

Best Song: “The General Specific”

#40. Rooney: Rooney (2003)
One-Liner: Definitely the best summer album of the decade.

Life-Defining Moment: I remember leaving Best Buy after purchasing this CD and showing it off to my friend, Josh. He didn’t get it, but I was loving every second of it.

Best Song: “Daisy Duke”

#39. Bright Eyes: I’m Wide Awake, It’s Morning (2005)
One-Liner: Oberst’s most-solemn and touching record to date.

Life-Defining Moment: Driving with a lot of the same friends mentioned in #43, this time through west Texas, blaring “Road to Joy” through my tiny truck speakers.

Best Song: “Landlocked Blues”

#38. The Killers: Hot Fuss (2004)
One-Liner: The only great thing this band has ever done, and a game-changer for me, musically.

Life-Defining Moment: I couldn’t sleep. I turned on the TV at 5am. MTV. The video for “Somebody Told Me” is on. I wait until 10am, go to Best Buy and buy the whole album. Sometimes you just know.

Best Song: “Mr. Brightside”

#37. Stars: Set Yourself on Fire (2004)
One-Liner: The album that began my formal obsession with pop music.

Life-Defining Moment: I was working at a desk in 2004, listening to internet radio. and “Elevator Love Song” (a track from another Stars album) came on. I loved it, so I went to my local record store to pick up a copy. They didn’t have one…but they did have this one.

Best Song: “Your Ex-Lover is Dead”

#36. The Decemberists: The Crane Wife (2006)
One-Liner: Meloy flexes his storytelling skills for the band’s first all-the-way-through great album.

Life-Defining Moment: When this album came out, I used to play it on my iPod at work over the PA system all day. There’s nothing like rocking out to track 2 while doing menial tasks for money.

Best Song: “The Crane Wife 3”

#35. The Mars Volta: De-Loused in the Comatorium (2003)
One-Liner: It made progressive rock cool again…if only for a little while.

Life-Defining Moment: Driving around the summer of 2004 with my somewhat-significant other (too complicated for words, really), air drumming, singing, and other sad forms of rocking out. All this while driving, mind you. Specifically, driving with her and her brother on the way back from Conroe.

Best Song: “Take the Veil Cerpin Taxt”

#34. Of Montreal: Skeletal Lamping (2008)
One-Liner: Possibly Of Montreal’s weirdest album to date…also one of their best.

Life-Defining Moment: Driving to my new job Monday through Friday at 6:45am. This album was playing every day on my recently-stolen 3rd Gen iPod nano, and I just let it loop over and over again. After 2 months I moved on to Crystal Castles…I don’t see that on this list. Do you?

Best Song: “Triphallus, to Punctuate!”

#33. Rilo Kiley: Take Offs and Landings (2001)
One-Liner: Rilo Kiley’s proper debut, and the only one that wasn’t a subsequent disappointment.

Life-Defining Moment: Driving in the fall of 2004 with a friend in the Dallas area. I had just picked up this CD from the old Virgin Megastore (RIP) and put it in my stereo. The girl is I’m with is upset. She doesn’t want to listen to it (she probably wanted to listen to something way worse, they do that you know?). But then “Science vs. Romance” starts playing and, oh, this CD is actually really good. We listen to the whole CD, and she deals with it, because – hey – she likes it now too!

Best Song: “Science vs. Romance”

#32. St. Vincent: Marry Me (2007)
One-Liner: St. Vincent’s first album is a classic, and beautiful album.

Life-Defining Moment: Showing the CD artwork to my dad after I bought this CD, he made a face – a not-pleasant face. Perfectly understandable, considering the cover, but a classic response.

Best Song: “Paris is Burning”

#31. Incubus: Morning View (2001)
One-Liner: In the 9 years since the release of this album, the band has yet to make something anywhere near this good.

Life-Defining Moment: I was sitting in the high school cafeteria, debating the awesomeness of Incubus with a friend. He insisted that they were not that good. Then Morning View came out. I think he still calls them his favorite band to this day.

Best Song: “11am”

#30. Vampire Weekend: Vampire Weekend (2008)
One-Liner: An instantly charming, and relentlessly playable album.

Life-Defining Moment: My dad, again, thought to tear into the song “Mansard Roof” by describing the drums as “Ricky Ricardo, Babaloo” drums.

Best Song: “Oxford Comma”

#29. Wallpaper: Doodoo Face (2009)
One-Liner: A hilarious, catchy, and technically advanced pop album.

Life-Defining Moment: The first time I listened to the song, “Doodoo Face,” I was driving to work at 5:30am and I literally burst out laughing when Ricky Reed says “Dang, you nasty/ You smelling like soccer practice!”

Best Song: “I Ain’t Most Dudes”

#28. Mates of State: Team Boo (2003)
One-Liner: An insanely fast-paced, audibly jarring pop album that is equal parts love and mania.

Life-Defining Moment: I wasn’t too familiar with this album when I bought it way back in 2004 or 2005. But I wanted it, so I bought it. Driving home from the store, I put it in my CD, not really knowing what to expect entirely. “Ha Ha” is one of the best album-openers of the decade and instantly made me a fan of Mates of State!

Best Song: “Fluke”

#27. Sigur Ros: ( ) (2002)
One-Liner: A great, if not top-heavy album that may just be the best album of all time.

Life-Defining Moment: Well, obviously not, but let me explain the statement. I was driving with two girls in 2004 when they asked me what the best CD ever was, and I responded with ( ). Why? Because it’s in a made-up language, and is just as great to me as it is to someone in Uruguay or Japan! It is an album whose language is not a hindrance, but a doorway. And it’s beautiful!

Best Song: “Untitled Track 4”

#26. Dirty Projectors: Bitte Orca (2009)
One-Liner: The only DP album I’ve ever heard, and it’s so good I’m kinda scared to continue on.

Life-Defining Moment: Going on a weekend trip with a friend, we listened to this album in its entire. I’m not sure why that memory is the one that sticks out, but it WAS a pretty good weekend.

Best Song: “Temecula Sunrise”

#25. Death Cab for Cutie: Narrow Stairs (2008)
One-Liner: Ok, in my opinion, it’s their best album

Life-Defining Moment: I equate this song with work, because at the time of its release I loaded every song on my iPod and played that shit at work like crazy. Just ask Ben, he’ll tell you!

Best Song: “Grapevine Fires”

#24. Pop Levi: Never Never Love (2008)
One-Liner: The best male pop album of the decade? Hmmm….YES!

Life-Defining Moment: I always forget how awesome this album is until I listen to it. “Fountain of Lies” is one song that brings back a particular memory. Driving – as always – to work, though this time to my new job, it was my first day. “Fountain of Lies” begins playing, and I’m singing along as I’m pulling into the parking lot, completely oblivious to my surroundings. It eased my first-day jitters and became a perennial favorite at the same time!

Best Song: “Dita Dimone”

#23. Loney, Dear: Loney, Noir (2007)
One-Liner: A CD so sweet and wide-eyed that it made me an instant fan.

Life-Defining Moment: I was going to the movies with friends, and I was playing “No One Can Win.” Most people weren’t paying attention, but one guy said “Hey this sounds like The Beatles.” I really didn’t hear it, but I’m glad he did. He still listens to Loney, Dear.

Best Song: “No One Can Win”

#22. Zero 7: The Garden (2006)
One-Liner: A jazzy electronic album with wonderful vocalists.

Life-Defining Moment: Remember my dad? Yeah, this is probably the only CD I’ve ever shown him that he’s actually enjoyed. You just can’t beat the duo of Jose Gonzalez and Sia!

Best Song: “Crosses”

#21. Joanna Newsom: Ys (2006)
One-Liner: The album that completely changed my opinion of Ms. Newsom.

Life-Defining Moment: How bout a collection of moments? For some reason, every time the first cold of winter sweeps into Texas, I have this unexplainable urge to listen to Ys. 2006, 2007, 2008, and yes, even 2009 have been filled with Newsom. Not that it’s a wintery album, I just equate it with winter at this point.

Best Song: “Emily”

#20. The Wrens: Meadowlands (2003)
One-Liner: An album that’s depressing, but strangely hopeful at the same time.

Life-Defining Moment: I tried to cover “She Sends Kisses” back in 2006 with Fruity Loops. The result was decent, but you simply can’t recreate the raw energy and power of the song’s climax with software. Certainly not Fruity Loops. It never saw the light of day and is now lost forever. Good.

Best Song: “She Sends Kisses”

#19. Eminem: The Marshall Mathers LP (2000)
One-Liner: The best rap album of the last decade, and the last GREAT album that Eminem made.

Life-Defining Moment: I remember waiting the “Making the Video” of “The Real Slim Shady” on MTV when I was a sophomore in high school. At the time, I was familiar with Eminem, but I was never really a fan. But the video was hilarious, the music was fresh, and Eminem as a person was also kind of funny. It hooked me, and I ended up listening to this album for years.

Best Song: “Kill You”

#18. Bon Iver: For Emma, Forever Ago (2008)
One-Liner: A cold, heartbreaking, and reflective album that never tires.

Life-Defining Moment: I didn’t get around to listening to Bon Iver for a year and a half after its official release. I got an email from an old friend who complemented me on my blog and said “I’m so behind on music, I’m just now getting to Bon Iver.” And my thought was…who? I downloaded the album and have since listened to it on almost a weekly basis. It is beautiful in so many ways, and I relate to it wholly.

Best Song: “For Emma”

#17. The Decemberists: The Hazards of Love (2009)
One-Liner: The pinnacle of Colin Meloy’s storytelling.

Life-Defining Moment: My life-defining moment for this album was seeing it performed live in its entirety back in October 2009. The Decemberists sounded spot on, and seeing Shara Worden play the Queen in person was just as shocking and eerie as it is on the album! It’s something that I’m glad I got to witness, and years from now if people are still discovering this album, I’ll be happy to know that I lucked out.

Best Song: “The Hazards of Love 4 (The Drowned)”

#16. Of Montreal: Hissing Fauna Are You the Destroyer? (2007)
One-Liner: One of Of Montreal’s most-accomplished albums, and the one that lived up to the expectations following the commercial success of The Sunlandic Twins.

Life-Defining Moment: I first listened to this album in September of 2006 (it leaked waaaay early) and by the time it finally released in January of 2007 I had logged in several dozen listens. I remember thinking, as I would later write in my review, about how the album managed to capture both the zany Of Montreal of old and the new, radio-friendly pop band that they had become. Many consider this to be the band’s masterpiece, and they may be right.

Best Song: “Faberge Falls for Shuggie”

#15. Cursive: Happy Hollow (2006)
One-Liner: An emotional torrent of anti-religion, anti-government rock music.

Life-Defining Moment: Happy Hollow released at a time in my life when I was starting to rethink the way I was raised. Because of this, the album’s rebellious tone struck a huge chord with me (and probably explains why it is so high up on this list). Tim Kasher’s biting commentary on organized religion, war, politics, and relationships completely validated all of the thoughts that were going through my head and gave me a reason to not doubt myself. Despite the harsh tone of much of the album, the end message is clear: live your life to the fullest and don’t be held back by the constructs society may put in your path. For me, at that time of my life, and even now, that speaks to me.

Best Song: “Big Bang”

#14. The Flaming Lips: At War with the Mystics (2006)
One-Liner: An underrated album that finds The Lips at the height of their relativeness.

Life-Defining Moment: Again, my life defining moment for this album is seeing the band perform most of it live in September 2007! It, to this day, remains the most amazing live show I’ve seen and I have serious doubts about any band being able to top that. If I had to narrow down a moment which was particularly enjoyable, it would be Wayne getting the crowd to chant “FUCK!” on “Free Radicals.” That, or him screaming “C’mon motherfuckers!” while spraying the crowd with his stage fog gun.

Best Song: “Yeah Yeah Yeah Song”

#13. The Unicorns: Who Will Cut Our Hair When We’re Gone (2003)
One-Liner: A flash of brilliant indie-pop/rock, accentuated by the sudden break up of the band that created it.

Life-Defining Moment: The first time I had ever heard The Unicorns was in early 2004, just as I was starting to discover indie music in general. As such, they had a huge impact on my perception of music and the acceptance of indie music. A moment that stands out in my mind was having the opportunity to see the band perform live in my hometown of Houston, TX in 2004, only to pass on the chance. It was the last show the band ever performed, and I’ve never forgiven myself. They are, and always will be, the most heartbreaking break-up of this wonderful decade.

Best Song: “Ghost Mountain”

#12. Loney, Dear: Dear John (2009)
One-Liner: An emotionally deep album, and one of the best male solo albums of the decade.

Life-Defining Moment: The moment that changed my outlook on the album was the first time I heard “Harm/Slow” and really listened to the lyrics. For me, the song is so bleak and depressing that it completely transformed the album from something that was dark, sure, but still kinda hopeful; to an album that is all darkness and no light.

Best Song: “Everything Turns to You”

#11. The New Pornographers: Twin Cinema (2005)
One-Liner: Indie power-pop at its best and most rambunctious.

Life-Defining Moment: I had never listened to this album before, but my wallet was just begging to be opened and my ears begging for new music. I had read about Twin Cinema and how great it is was, and about The New Pornographers (who I had never heard before) so I decided to get it. Boy was I in for a surprise! I got into my vehicle and cranked it, jamming out to it for weeks. It is a perfect album, and one I’m a little disappointed didn’t make it to the top 10, frankly.

Best Song: “Sing Me Spanish Techno”

#10. The Mars Volta: Frances the Mute (2005)
One-Liner: A sophomore album so dense and complex that it requires you to listen to it again and again.

Life-Defining Moment: “Dude, the new Mars Volta just leaked!” “No way, which site are you on?….Cool I’m going there!” It’s downloading right now!” “Mine too.” It finished!!” “Lucky!” “I don’t know this first track is starting off pretty slo….WHOAH!”

Best Song: “Cygnus….Vismund Cignus”

#9. Muse: Absolution (2004)
One-Liner: Muse’s best album, and the one that kept me a fan of rock music when the rest of the rock world was sucking hard.

Life-Defining Moment: The first time I heard “Hysteria” I thought it was a song from a Tony Hawk game. I was wrong. That’s moment #1. Moment #2 takes place about a month later when a band I’m in decides that we want to play “Time Is Running Out” live. So we do. The MP3 still exists. Anyone want me to upload it?

Best Song: “Butterflies & Hurricanes”

#8. Field Music: Tones of Town (2007)
One-Liner: A pristine pop record in a time when the term “pristine pop” is overused.

Life-Defining Moment: Honestly, this CD took a while to click with me. It wasn’t until I heard “Working to Work” that it finally made sense. I started listening to the music, the lyrics, the feel of the whole thing. What I got was an awesome album, and one that ended up being my top album of 2007!

Best Song: “Working to Work”

#7. M83: Saturdays=Youth (2008)
One-Liner: A lush throwback to the emotions of 1980s brat-pack films.

Life-Defining Moment: I was leaving a friend’s apartment with another friend, and I was showing him “Kim & Jessie” for the first time. We both agreed that it sounded like it should’ve been the intro song in Donnie Darko. Then we started trying to figure out what that song actually WAS. Then we did. It was “Head Over Heels” by Tears for Fears. We both started belting out the chorus to that song acapella immediately thereafter. So just to recap: two dudes, driving alone, singing Tears for Fears acapella. Yep, probably one of the gayest things I’ve ever done.

Best Song: “Kim & Jessie”

#6. Of Montreal: Satanic Panic in the Attic (2004)
One-Liner: Of Montreal’s “transition” album also happens to be their best.

Life-Defining Moment: I knew Of Montreal, but I didn’t know this album. I had went to the Virgin Megastore in Dallas to pick up The Gay Parade, but it was out of print. So I picked up this. As I was pulling out of the parking lot, “Disconnect the Dots” started playing, and it was so unlike what I was expecting that I instantly fell in love with it! I listened to the album the whole way home, and in the process bonded with an album that I never intended on getting. I may not be a HUGE Of Montreal fan today, if it weren’t for The Gay Parade being out of stock. Truly life-defining.

Best Song: “Rapture Rapes the Muses”

#5. Radiohead: Kid A (2000)
One-Liner: An experience that most have had, and few have forgotten.

Life-Defining Moment: The first time I heard Kid A was shortly after it leaked in 2000 on Napster. My sister was playing it in her car, and we were driving around listening to it. As a 15 year old, I didn’t really understand a lot of it. I was listening to a lot of crap at the time. But it struck me as something strange, but cool; something unlike anything I’d heard previously. It wasn’t until I got into indie music and bought the album in 2004 that I fell in love with it, but that early impression certainly helped me make the purchase.

Best Song: “Everything In Its Right Place”

#4. The Notwist: Neon Golden (2002)
One-Liner: A deep, chill electronic album that stays with you.

Life-Defining Moment: Like most of the music in my early-indie years, Neon Golden was first recommended to me on Amazon.com. I downloaded the album before I bought it (twice) and played it in my dorm. Weeks later, my roommate, Preston, asks me to burn him a bunch of “my music” on a CD for him so that he can transfer it to his computer. Neon Golden makes the cut, and he loves it! Like, a lot! I haven’t talked to Preston in years, because, well, Preston’s a dick, but I’m glad I could pass my love of The Notwist on to somebody else.

Best Song: “Consequence”

#3. The Shins: Chutes Too Narrow (2003)
One-Liner: An album that single-handedly defined “indie rock” for me.

Life-Defining Moment: The first Shins song I ever heard was “Turn a Square.” I didn’t really like it. Well, not exactly. It just wasn’t what I was expecting to hear. So I set the album aside and went on my merry way. A few weeks later, my friend asks me if I’ve heard The Shins, tells me that they’re awesome, and convinces me to give Chutes Too Narrow another shot. I do. And I love it!

Best Song: “Pink Bullets”

#2. Sufjan Stevens: Illinois (2005)
One-Liner: The best male album of the decade, and proof that any concept, no matter how mundane, can turn out amazing in the right hands.

Life-Defining Moment: I was picking up my friend Nick at his house to take him to church, and “John Wayne Gacy” was playing. I suppose he was passively listening to the lyrics, because suddenly he burst out with “Is this song about having sex with boys?!?!” I told him who it was about and we listened to it again. He was sold. At the time, Nick was into your generally shitty hardcore rock music. I think this album had a greater effect on him than it did on me. He now finds himself listening to Iron & Wine and Nick Drake more than that other garbage. I would have to think Sufjan had something to do with that.

Best Song: “The Predatory Wasps of the Palisades Is Out to Get Us!”

#1. The Postal Service: Give Up (2003)
One-Liner: The album that introduced me to indie music and changed my life in the process.

Life-Defining Moment: There are too many moments. Quite frankly, my late teens and early 20s are soundtracked by this album. How do I pick a moment? Do I choose when Josh first showed it to me on Spring Break 2004? Do I choose that same Spring Break when I woke up everyday and pressed play on my CD player, only to lay back down in bed and listen to the album in its entirety? Perhaps trading off lyrics with a girl who I really liked and thinking how life couldn’t get any better is a more apt moment? There are simply too many occasions in my life in which this album played a role. And so I will not choose one moment.

Instead, I leave you with this picture. Imagine me, a 15 year old kid, listening to Relient K, Finger Eleven and Incubus in the year 2000. And imagine me now, a 25 year old man whose favorite albums of the decade include everything on this list and so much more! What caused such a transformation? It was this album being presented to me in the right place and the right moment. Never doubt the power of music, friends.

Best Song: “The District Sleeps Alone Tonight”

The Top 15 Albums of 2009

#15. Tegan and Sara: Sainthood – Tegan and Sara’s best album is still 2007’s The Con. I doubt many people in the know would argue this point. Still, Sainthood does have its moments; like the punk rock influenced “Northshore,” or the delightfully catchy “Alligator.” I’m still not sure what “Alligator Tears” are, but I can manage without. Look, the bottom line – whether you like Tegan and Sara or not – is that Sainthood beat out a lot of great albums to make it to this list. Respect.

#14. Muse: The Resistance – Seems as if Muse peaked way back on 2003’s Absolution, because every subsequent album has been worse than the one before it. That’s not to say that The Resistance is awful; it’s just the band’s worst. Somewhere along the line the band fancied themselves a poor-man’s U2 and decided to write songs almost exclusively about conspiracy theories and government coercion. Small doses, guys. Small doses. While The Resistance does suffer much from the weight of its own bullshit, it’s still the best mainstream rock album of the year. Easily.

#13. Headlights: Wildlife – Headlight’s second album was a critical success even though I found it miles behind their debut. On their third album, Wildlife, the Champagne, Illinois trio recaptures the charm of Kill Them With Kindness while staying true to the sound that they established on Some Racing, Some Stopping. Sticking with the lo-fi, indie pop/rock mood, Wildlife is a definite improvement and shows the band maturing into their own unique sound.

#12. Julian Casablancas: Phrazes for the Young – Even though the second half of this album drops off in quality, the first half more than makes up for it. Casablancas has always been a great vocalist and songwriter, and Phrazes for the Young is the perfect outlet for his creative talents. I totally dig the heavy-handed synth stylings of this album, as well as his ability to blend that with his staple rock sound. It’s definitely not an album for everybody, but surely every will find at least one song that they can admit to liking.

#11. Monsters of Folk: Monsters of Folk – If there is one piece of criticism that I could level on this album, it would be that there are just too many songs on it. Most of those songs, mind you, are great, but as an album, the whole thing simply falters under the weight of its own aspirations. “Dear God,” “Say Please,” and “Man Named Truth” are all instant classics in the indie world, and whether or not these guys ever get together again is irrelevant. They did it once, and it worked. For that, they deserve a bunch of credit.

#10. Clues: Clues – Clues’ debut is a strange thing. Some songs, like “Remember Severed Head” or “Ledmonton” are instantly catchy, and accessible. And then there are other songs that seem to be purposefully difficult (“In the Dream”). It’s not the easiest thing to sit down and listen to, but I’m glad I did; because after I got over the weirdness and difficulty of songs like “Perfect Fit” I discovered that Clues is actually one hell of an album, especially for a debut! No, I’m still not sure why “Remember Severed Head’s” lyrics are recycled on “Cave Mouth,” but I also don’t care. Both songs are awesome! Just like the album, itself.

#9. Passion Pit: Manners – Passion Pit’s debut LP is a hit or miss affair, for sure. One good song, one bad, two good, one bad, etc…The great thing about Manners is that the good songs completely negate the few that are a little rough around the edges. By this point, I’ve already named “Little Secrets” as my favorite song of 2009, but there are other great tracks on here as well. “Let Your Love Grow Tall,” “Eyes as Candles,” and “The Reeling” stand out as some flat out amazing tunes. If it weren’t for the few duds, this would easily be a Top fiver.

#8. The Bird and the Bee: Ray Guns are Not Just the Future – B&B’s debut wasn’t all my friends made it out to be. With that in mind, I reluctantly checked out Ray Guns and was surprised by how awesome it is. I seriously jammed out to “Love Letter to Japan” for weeks before I decided to move on to something else. I’m a dude, people. That’s something! Beyond that though, Ray Guns is stacked full of great tunes that don’t get old, and other songs that reveal their greatness over time. If you haven’t checked this one out yet, do yourself a favor and snag a copy. You won’t regret it!

#7. Discovery: LP – LP sure has its flaws. But as difficult as it can be, it’s also incredibly rewarding. It’s a quaint little record filled to the brim with relentlessly catchy songs. The only one that really doesn’t do a thing for me is “Carby,” but hey, it’s not really all that difficult to hit the skip button is it? This one got ripped pretty hard by the critics, and I can see their collective point despite my obvious affection for it. It’s a download first, buy later, for sure. Just be sure to give it a fair shot. You may be surprised.

#6. St. Vincent: Actor – Is there any denying that Annie Clark is one of music’s most-talented females? Besides the fact that she’s making some of the most inventive and awesome songs out there, she’s also doing so with a grace and style that is completely unique to her. While I still feel that her debut has more staying power than Actor, her 2009 follow-up still packs one hell of a punch. I’ve been re-listening to it for the past week now and, whoah, it’s just fantastic! St. Vincent is officially my favorite female artist at the moment, and Actor is officially the best female album of 2009!

#5. The Flaming Lips: Embryonic – When Embryonic came out, it quickly made it to the top (#1) spot on my Most Disappointing Albums list. How it made its way up to the #5 album of the year is a long, strange tale. Well, not really. Essentially it boils down to this: I kept listening to it. My first 2 times through I was completely dumfounded and upset that it didn’t sound like any of their last 3 records. I was pissed, to be honest. As I kept listening, however, I eventually set aside my preconceived ideas about what a Flaming Lips album should sound like. It was only then that Embryonic revealed itself as an amazingly complex and meaningful album. Wayne Coyne has seemingly let the darkness creep over him, and it shows in both his lyrics and the musical compositions that surround them. I can understand why people would be turned off by this album, really. But I’m glad I decided to tough it out and figure it out. It truly is one of the year’s best.

#4. Wallpaper: Doodoo Face – I got my hands on Wallpaper’s T-Rex EP in the summer of 2008. I was still listening to it in the summer of 2009, right around the time I found out that Ricky Reed was releasing a full-length album. I was pumped. I spread the word – the Gospel of Wallpaper , if you will – to all my friends, and played for them the songs I had. By the time Doodoo Face came out, I was set up for disappointment. But Wallpaper didn’t disappoint; in fact, they exceeded my expectations! I was expecting another synth-heavy, collection of short ‘n sweet pop songs. I got the heavy synths alright, but the saxophones, trumpets, female vocals, and funk influences came as a complete surprise. Doodoo Face sounds like a silly album, and at times it can be. But it’s also one of the most impressive debuts of recent-memory, and something that I’ll be listening to until the next LP drops!

#3. Dirty Projectors: Bitte Orca – Most albums that I listen to take time for me to get into. This is true for pretty much every album on this list, with the exception of a few. One of those exceptions is Bitte Orca. This album was my first run-in with Dirty Projectors after reading about the band for some time. I was instantly captivated by all the things going on at any given moment. Even now, I’m still amazed by some of the harmonies and guitar riffs that seem too complex to be written, but too perfect to be improvised. It is a very impressive album, and probably the one I’ve listed to with the most consistency since its release. Is it one of the best of 2009? Easily. It can also be considered for one of the best of the decade!

#2. The Decemberists: The Hazards of Love – Forget the mixed reviews and the haters! The Hazards of Love is a beautiful and affecting piece of art. If there’s any knock against it, it’s that it can’t really be listened to one song at a time. It’s something that must be digested as a whole. That’s important, because in an era when much of the music industry seems to be about the single, Colin Meloy & Co. have created the exact opposite! When it is experienced as it is meant to be, you’d be hard-pressed to find an album more poetic, more astounding, or more poignant in 2009!

#1. Loney, Dear:  Dear John – In 2007, Loney, Dear’s Emil released his U.S. debut, Loney, Noir to much acclaim. It was this blog’s #4 album of that year, and I was still listening to it when Dear John released early this year. Dear John is one hell of an album! Every song helps to create an atmosphere of doubt, regret, and depression that is both haunting and refreshing. Even the album’s more upbeat tracks are tinged with the sentiments that make the rest of the album so dark. Hopefulness, an idea that was prevalent on his last record, has largely been dismissed on Dear John, and while I’m normally a guy who is into pop music (see the rest of this list), there is something about Emil’s music that speaks to me as an individual.

Dear John is more than just the best album of 2009, it is one of the best male solo albums of the last decade; easily comparable up against Sufjan Sevens’ or Conor Oberst’s best work. Loney, Dear doesn’t get the same kind of press coverage as those two dudes, and it’s a shame, because when it comes to writing powerful, deep, meaningful songs, he blows Sufjan out of the water and gives Oberst a run for his money. Without question, Dear John is the #1 album of 2009. It is a perfect record, and one that I will never take for granted.

Best of 2009: Top 5 Pop Albums

There was a time in my life where I was consumed by the darker side of life. Now, when I did make an effort to stay away from razor blades and hair dye, I was really into music that spoke about the human condition and did so in a somewhat depressing manner. Bright Eyes…the older stuff….was like a gift from god to me. Recently though, I’ve been really into the brighter, more upbeat side of life. If it’s fun and I can sing along to it with a smile, I love it! 2009 was an okay pop music year. Not the best, but solid. With that in mind, I give you the list of the Top 5 Pop Albums of 2009.

#5. Tegan and Sara: Sainthood – The Quin sisters have been at it for years now, and despite approaching each of their new albums with a slight sense of trepidation, I always walk away pleased. It’s crazy really, because the last thing I would think I’d be into is really poppy girl rock, despite the fact that I always did have a soft spot for The Bangles. Sainthood is the Canadian duo’s latest record and it continues where their last left off – with infectious indie jams delicately paired with lighter, introspective gems. Sainthood may not be as instantly captivating as 2007’s The Con, but it surely pays off over time.

#4. Passion Pit: Manners – Why thank you iPhone. Back when I purchased my shiny new toy in July, I had never heard of Passion Pit. And then one day while coming home from work, listening to my Last.fm app, Passion Pit came on. The song was “Cuddle Fuddle” from last year’s Chunk of Change EP. I loved it. The rest is history. Manners is a surprisingly solid and unique album from such a young group of musicians; kind of like this year’s Vampire Weekend, though I don’t encourage you to make any further connections. The album has a few rough spots that are to be expected, but the good songs are wonderful. “Little Secrets” is the best song of 2009, “Sleepyhead” is bizarrely catchy, while “Let Your Love Grow Tall” is truly inspiring. This is one hell of a pop CD, and you’re stupid if you don’t at least give it a chance.

#3. The Bird and the Bee: Ray Guns are Not Just the Future – I feel bad. I had compiled this list several days ago and left this album out entirely. Then I had my iPod on random and on comes “Love Letter to Japan” and I came to the realization that I had not given this album the props it deserves. The Bird and the Bee is a very talented duo, and the music on this album is some of the finest they’ve done yet. It ranges from stadium pop anthems (“My Love”) to jazz pop (“Ray Guns”), humorous dance tracks (“Polite Dance Song”) to love confessions to 80s rock gods (“Diamond Dave”). It’s a very well-rounded, and well executed record. I wasn’t really a fan of much of their earlier stuff, but this one is very solid.

#2. Discovery: LP – What the hell is this album? A bedroom R&B, reggae, new wave pop album with members of Vampire Weekend, Ra Ra Riot and Dirty Projectors? So it’s a joke album, right? Wrong. Well, I guess that depends on who you ask. LP wasn’t exactly the strongest-received album of the year, and I can see why it would turn some off. There are times all across the album where it sounds like synth lines are improvised and vocal effects are thrown in to hide an apparent lack of direction. But for what it’s worth, I find LP to be a truly captivating pop record with strong hooks and rather inventive compositions. I can’t get enough out of it.

#1. Wallpaper.: Doodoo Face – On any other year, it would be hard for me to imagine an album called “Doodoo Face” to make it on my, let alone anyone’s, top ten list. But Wallpaper’s debut album is more than just the best pop album of the year, it’s one of the decade’s finest as well! Pop music too often gets bogged down in the songwriting process – oh, let’s put a ballad here, or make this song instantly relatable to the heartbroken. Wallpaper ignored all that mess and made Doodoo Face an incredibly fun album in the process. You won’t hear music this light-hearted, this funny, any other place in 2009! No, not even with The Boy Least Likely To (surprising, I know). The fact that it can be those things and still be one of the best records of the year is a testament to how awesome Doodoo Face really is. It’s a difficult acquisition, sure. You won’t find it at Wal-Mart, Best Buy, and hell, even Amazon is low on copies. But it’s worth it! Trust me.

Worst of 2009: The 5 Biggest Disappointments

Every year has its ups and downs, musically. For me, the worst downs are not when a bad album drops, but rather when a bad album that should have been great releases. These are albums from artists who have proven themselves to be capable of something amazing, but have instead opted to phone-in an album or make something so uninspired or bad that listening to it is more of a chore than a joy. 2009 certainly had its share of disappointments. Here are the 5 that really stood out to me.

#5. Our Lady Peace: Burn Burn – Of all the albums on this list, this is the worst. Of course, that doesn’t make it the biggest disappointment of the year, especially considering how bad Our Lady Peace has been over the last decade. But when I heard the band was coming out with a new album, my thoughts immediately went to their work in the 1990s. Heck, Happiness was this blog’s #5 Alternative Album of all freaking time. But alas, what Burn Burn is is a continuation of the band’s post-millennial work, with sappy lyrics and big me sensibilities. Hey, they’re back though. And they’re still better than most modern rock bands. So that’s something I suppose.

#4. Metric: Fantasies – If I seem conflicted on this one, it’s because I am. I mean, there are some fantastic songs on Fantasies, don’t get me wrong. But there are some downright bad ones too. If there’s one thing Metric had never given us in their 10-years of music making it’s a “hit or miss” album. But Fantasies has that locked down!

#3. Conor Oberst and the Mystic Valley Band: Outer South – Wow. Less than a year after they got together to make Oberst’s brilliant self-titled, the Mystic Valley Band released this dud of an album to audiences. Thanks for that, guys. Outer South lacks all the charm, talent, and songwriting skills of its semi-quasi predecessor. That makes it quite the disappoint for yours truly, not to mention all of those other critics out there. With that said, I still must admit to liking “Air Matress.” I mean, that’s just a fun time.

#2. Cursive: Mama, I’m Swollen – I should’ve known something was up when Saddle Creek decided to sell this one for pennies in its opening days. I got mine for $1, which granted, isn’t a bad deal, but still. After 2 amazing albums that really helped define my early adulthood, Cursive dropped this big lo’ pile of mediocrity on us. The first 4 or 5 songs? Solid. The rest? No thanks. It was lacking all the bite, focus, and passion of past Cursive albums, so I stopped listening after 2 weeks or so.

#1. Zero 7: Yeah Ghost – Ugh, guys really? How do you follow up The Garden with this collection of abrasive, ugly pop music sung by the most mediocre of vocalists? Whereas every other album from this duo has been pretty much mellow, electronic pop, Yeah Ghost is just plain annoying. Whether they decided to go in an entirely different direction or just phoned this one in, there’s no denying how awful this album is.

Best of 2009: Top 5 Guest Vocalists

Ahh, the guest vocalist. Usually you’re forced to find work on crappy R&B records or Ja Rule songs, but 2009 was a good year for you! You got around and made yourself more known, more respectable. That’s great for you. I hope 2010 is just as fruitful, though I must admit I have my doubts. For now though, let’s recap your banner year with a list of your Top 5 Guest Vocal Performances. I think that would make everybody happy.

#5. Discovery featuring Angel Deradoorian – “I Wanna Be Your Boyfriend,” from the album, LP – Chances are that “I Wanna Be Your Boyfriend” would have been a decent track without the inclusion of Angel’s voice. Truth be told, she does very little on the track. But as it stands, her voice is the focal point of this song, and it’s all the better because of it! I mean, she did a lot better than Ezra Koenig’s guest spot, so that’s gotta count for something right?

#4. Buck 65 featuring Sufjan Stevens – “Blood Pt. 2,” from the album, Dark Was the Night – This one’s kind of weird because Pt. 1 is a Sufjan Stevens song entirely. Pt. 2, however, finds the prolific rapper taking the reigns and Sufjan merely lending his vocals for the chorus. His performance, in a word, is creepy. His voice hovers eerily above the drumbeat and instrumentation, wavering and hinting at something sinister. It’s quite a cool effect. And sure, while I’m still totally pissed that it’s been 5 years (5 YEARS!!!) since I’ve heard anything really new from Mr. Stevens, I’m willing to give him the credit that is due to him for his job on this song. Congratulations, sir.

#3. Amadou & Mariam featuring K’Naan – “Africa,” from the album, Welcome to Mali – So apparently this couple has been making music for years. News to me. I first heard the duo from Mali early in 2009 and I’ve been jamming to it off and on ever since. One of Welcome to Mali’s best tracks without question is “Africa.” A big reason for this is K’Naan whose vocals absolutely make the song. Maybe it’s just because it’s in english, that’s a possibly, but he’s also a very talented singer. Yay for him!

#2. MSTRKRFT featuring John Legend – “Heartbreaker,” from the album, Fist of God – I’ve never been a giant John Legend fan (go figure, right?), but his vocals on this MSTRKRFT kinda make me want to go back and listen to some of his stuff with a more open ear. This song is easily the best track on Fist of God, thanks to Legend. He’s the only vocalist on the album that doesn’t sound like he’s trying to compete with all the insane electronic music surrounding him. Granted, he’s also got one of the album’s more mellow compositions to work with, but the end result is still a beautiful track.

#1. Dirty Projectors featuring David Byrne – “Knotty Pine,” from the album, Dark Was the Night – David Byrne is crazy. Dave Longstreth is crazy. Put the two of them together for a song and you get a crazy good song. “Knotty Pine” has been getting regular plays from me for months (really the only song from Dark Was the Night that I can say that about). Byrne’s role isn’t huge. He sings a little bit in the second verse and he may play some guitars (don’t have the liner notes), but he does it all in a manner entirely his own. I love this song! It’s one of the best of 2009!

Best of 2009: Top 5 Male Albums

While 2009 was a rather subpar year for female solo artists, in my opinion at least, things were a little better on the dude side of things. This years saw great releases from a wide array of male artists, the Top 5 are below.

#5. Del the Funky Homosapien: Funk Man (The Stimulus Package) – Back towards the beginning of the year, D.E.L. released an album via his webpage for the fair price of…nothing. I’ll be real. I expected it to blow. I mean, Del hasn’t really been a reliable source for good music for the last decade; so excuse me for the skepticism when he drops one for free. Surprisingly, however, Funk Man is probably Del’s best album since Both Sides of Da Brain. There’s still some moments on there where you just have to question what the guy’s thinking, but for the most part, the craziness is an acceptable attribute.

#4. Allen Toussaint: The Bright Mississippi – Legendary jazz musician, eh? Well, forgive me but I’m just not that familiar with the genre. I am well-versed in the art of great music, however, and Toussaint has created a brilliant collection of it with The Bright Mississippi. The guy’s over 70 years old at this point and he just won over a 25 year old. That’s rather impressive.

#3. Julian Casablancas: Phrazes for the Young – Initially, I had Patrick Wolf’s The Bachelor in the bottom spot on this list. However, once I got a chance to listen to The Strokes’ singer’s debut as a solo artist, it was clear to me that Casablancas was more deserving of a spot here. While his electronic compositions can get grating from time to time, I have to give the dude credit for doing something that, to me, comes as a complete surprise. It’s a fun listen, and one of the year’s better debuts.

#2. Wallpaper.: Doodoo Face – Gasp! Wallpaper. appears on an Audio Overflow list but isn’t at number one? Crazy right? Well hey, if you really want to hear about my thoughts on Wallpaper’s bitchin’ debut, you can read about that here, here, here, and here. For now, I’ll just acknowledge that someone did it better in ’09 and then get on to talking about that guy.

#1. Loney, Dear: Dear John – That guy is Emil Svanangen, the dude behind Loney, Dear. Emil totally deserves this award because he created what is arguably the most impressive male solo album of the decade. Dear John has it all. It’s got absolutely brilliant compositions layered with guitars, high-pitched vocals, and synths; upbeat songs and complete tearjerkers; and touching lyrics that also happen to be some of the most-honest of recent memory. Let’s be real here. All of Emil’s albums are fantastic. But Dear John outdoes them all. When I reviewed it at the beginning of 2009 I referred to it as his Magnum Opus. I swear, if he’s able to top this one I’ll have no choice but to kneel in his presence. Fortunately (or unfortunately, depending on your perspective), that’s probably not possible.

Best of 2009: Top 10 Party Jams

Let’s say you’re at this party, right? Dude who’s rocking the music has to jet to pick up another case and he takes his iPod with him. This is your moment, your chance to impress every fine lady at that get-together. You take your iPod over to the stereo pick the flyest jam you have and then watch in anticipation as everyone at the party reacts to your choice of….Tone Loc?!?! Don’t worry folks. If you ever get invited to another party, I’ve got you covered with the hottest party jams of ’09! Throw some of these on, and I pretty much guarantee that it’ll go over well. At the very least, they’ll do better than “Funky Cold Medina.”

#10. “Get Yo Shit” by Black Joe Lewis and the Honeybears, from the album, Tell ‘Em What Your Name Is! – A little bit of humor goes a long way, and this song has quite a bit of it. That’s the good news. The bad news is that there’s a lot of talking that people will have to hush up to understand. Still, if you’re at a party in Austin where everybody pretty much already knows the song, you’ll be fine.

#9. “Swing Tree” by Discovery, from the album, LP – “Swing Tree” has the uncanny ability to appeal to a variety of music fans; hip hop, pop, r&b, heck…maybe even reggae. I threw this on one night much to the admiration of one young lady in particular. Hey, that’s one better than I was doing up until that point.

#8. “Get it Right Now” by Del the Funky Homosapien, from the album, Funk Man – Ahh the ultimate party conundrum! People are demanding that someone put on some rap songs – because, well, they’ve been drinking and are therefore more easily susceptible to bad things – but you don’t want to insult your own intelligence by playing a selection from the 99% of rap music that blows. What to do? Throw on some D.E.L. It always goes down smooth.

#7. “A.T.C.” by Lesbian Fist, from the Lesbian Fist EP – Remember that bit about humor going a long way? Well, let’s hope your party has an open sense of humor because Lesbian Fist is going to bring the goods, wrapped up in a nice little pop package. Keep an eye on peoples’ faces as they ask themselves, “Did I really just hear that?” while simultaneously bouncing to one of the catchiest songs of 2009.

#6. “Little Secrets” by Passion Pit, from the album, Manners – Nobody had heard this song the first time I had played it for my friends at a social gathering. Since then, at least a few of them have picked up the CD because of this one. “Little Secrets” may not not pack the universal appeal of other songs on this list, but I’ll be damned if it ain’t a whole lot of fun singing to when you’re a tiny bit inebriated.

#5. “1901” by Phoenix, from the album, Wolfgang Amadeus Phoenix – Okay, the car commercial pretty much ruined it for me too, but I’ll be damned if this still isn’t one of the best songs of 2009. That applies to whether you’re listening at a party or at a party of one :(. Honestly, who doesn’t love this song?

#4. “Daylight” by Matt & Kim, from the album, Grand – You would think that this song would be more off-putting to some than it actually is. Come to think of it, I don’t recall ever having to change the song due to someone disliking it. It’s a fun, poppy, piano-driven song that I have yet to tire of despite having listened to it several dozen times over the course of 2009.

#3. “ddd” by Wallpaper., from the album, Doodoo Face – Humor, again, does wonders, and “ddd” certainly packs in its share of one-liners. Sure, there may be one cowardly anonymous commenter on this blog who referred to Wallpaper. as “drivel” (most likely without ever listening to it seriously), but I have yet to introduce this song to anyone who has disliked it. Considering I tend to chill with a bunch of Ryan Adams and Regina Spektor fans, I’d say that’s quite the achievement.

#2. “I’m On a Boat” by The Lonely Island (featuring T-Pain), from the album, Incredibad – Experience, just once, a whole room of people simultaneously singing “I Fucked a Mermaid” and you’ll know why this one is awesome. ‘Nuff said.

#1. “I Got Soul, I’m So Wasted” by Wallpaper., from the album, Doodoo Face – There are few songs in the world that have complete universal appeal. Wallpaper’s first single from Doodoo Face has to come pretty close. Besides the fact that everybody (EVERYBODY) I know personally loves it, I still have yet to read a review of the album or the song that dismisses it as less than it is. Wallpaper’s music is all about letting loose and having a good time and it goes about it in a satirical manner. So even those of us who hate most mainstream pop music can enjoy it. Nobody seriously sings about “throwing up in the bathroom stall” as an achievement, but Ricky Reed does. And if you’ve ever been in that sort of situation (guilty), then you’ll be singing right along (also guilty). For me, this the unquestionable party jam of ’09.

What’s yours?

Best of 2009: Top 5 Album Covers

To many people, the album cover is non-essential.  It’s simply another barrier between the music and the listener.  For me, however, it’s a necessary part of the experience.  That’s a large reason why I still buy into physical formats.  Having art in your hands makes your $15 purchase seem a lot more worth it, than paying $10 for a digital copy of some music and a JPEG.  With that in mind, here are 5 album covers that really helped me do my part in saving physical media in 2009.

#5. Dirty Projectors: Bitte Orca – When I first held Bitte Orca in my hands and looked at the album cover, I was intrigued. I wasn’t sure what to make of it. Here you have two women and colored splotches of paint. Okay. I didn’t get it. Hell, I still don’t get it. But I stayed there and looked at it for a few minutes. Occasionally I still open the image up in iTunes just to look at a larger version of it. It’s nothing fancy, and it’s nothing special, but I like it. I can’t explain it any differently.

#4. St. Vincent: Actor – Annie Clark’s album cover for Marry Me was kind of funny, whether that was intentional or not. She totally ugged it up for that image, and I loved it. Then Actor comes along and rather than get a timid mess of a mental hospital patient, we get a lovely young woman, seemingly wide-eyed and innocent. “Hopeful” is probably the best way to describe her gaze. It’s a nice image, with interesting color choices.

#3. Muse: The Resistance – Okay….so there’s a dude on a Billie Jean floor in outer space, surrounded by a hexagonal rainbow vortex that leads to earth? I’m sold! Seriously though, say want you want about Muse’s latest album, you have to admit that when stacked against their most recent two covers, this one is pretty sweet. For one, there’s not a picture of random humans sitting at a table in the desert. Secondly, the colors! Oooh….pretty!

#2. Wallpaper: Doodoo Face – If you had doubts about whether or not Wallpaper. was more of a light-hearted side project than an album from an artist that takes his work too seriously, this image should put them to rest. Doodoo Face has one of the best album covers of the year because it pretty much sums up exactly what to expect when you press play. What you expect is “that guy” doing all sorts of musical nonsense. And that’s pretty much what you get.

#1. The Flaming Lips: Embryonic – I first saw this image long before Embryonic came out, or leaked, and my thought then is exactly what it is now: what the hell am I looking at?!?!? Okay, it’s a face that’s being pulled out of an upside down ripped open face….or is it being pushed in? Why is her tongue behind her teeth like that? Have you tried that? It’s not a natural thing to do with your tongue. Random scribbles? Huh? People, I don’t have an answer to any of these questions. What I do know is that this is one of the coolest things I’ve seen in my life. If they had a full-size art print of it, I’d frame it and hang it up. Maybe they do have one…I’m going to check on that.

Best of 2009: Top 5 Songs from Bad Albums

I did this list before in 2007 and had a lot of fun with it, so I thought I’d bring it back. Here, for your written-enjoyment, I present to you the Top 5 Songs of 2009 that just so happened to be on bad albums.

#5. “No You Girls” by Franz Ferdinand, from the album, Tonight – Franz Ferdinand has had trouble recapturing the magic of their debut album way back in 2003. I think even they could admit to that. However, in 2009 they tried something a little bit different and for that I totally commend them. Franz’s self-described dance album had a few decent tracks on it, and this one was the standout. “No You Girls” is the catchiest thing from the group since “Take Me Out,” featuring one of the grooviest choruses of the year! Handclaps, syncopated guitars, and a catchy hook; hell, it’s got pretty much everything you need for a great pop rock song!

#4. “Glass” by Bat for Lashes, from the album, Two Suns – This was the first song by Bat for Lashes that I ever heard, so it tends to stick with me much longer than any of the other tracks on her overrated and mediocre 2009 album. In fact, it’s not too much of a stretch to say that it’s her ONLY song that’s still getting listened to by me at this point. Now I know I’m going to get a lot of negative comments for calling this one a bad album, but really I just never could get into it. You can’t really fault me for that….right?

#3. “Waters of March” by Anya Marina, from the album, Slow & Steady Seduction: Phase II – “Waters of March” (or “Águas de Março” in the original Portuguese) has been around in its various forms since the 1970s. In fact, in 2001 it was named as the all-time best Brazilian song. I’m not familiar enough with Brazilian music to hop onto that bandwagon, but it is a delightful tune either way. On her 2009 sophomore release, Anya Marina covered the song beautifully and its been getting steady plays ever since. I love this song! A friend of mine calls it (the original) his favorite of all time. Meh…I don’t speak Portuguese. So I’ll stick with this one.

#2. “Deja Vu” by Eminem, from the album, Relapse – Relapse was the best thing Eminem has done since The Eminem Show, I’ll give him that much. But for the most part the album was filled with insincere tracks that seemed more or less aimed at recapturing the edginess of his first three albums rather than creating something that spoke of who Marshall Mathers is now. There’s your standard songs about murder and drug abuse, fair enough, but all of it sounds forced rather than real. The one exception to this is the song “Deja Vu” which finds Marshall lamenting about his on again off again relationship with substance abuse. It’s the only time on the album when I feel like he’s opening up and being real with his fans rather than trying to imitate the Slim Shady of a decade ago. The result is a downright amazing song, and one of the best rap tracks of 2009!

#1. “French Navy” by Camera Obscura, from the album, My Maudlin Career – In 2006, Camera Obscura did much this exact same thing. They created a somewhat okay album with a stunner of an opening track that just somehow managed to become one of the year’s best. To say “French Navy” is 2009’s “Lloyd, I’m Ready to be Heartbroken” is probably stating the obvious at this point. Oh well, it is. While it may not be near as classic as that magnificent song, “French Navy” has all the magic and catchiness of all of Camera Obscura’s great ones!

Worst of 2009: The 5 Most-Overrated Albums

One of the most frustrating things as a fan of great music is reading nothing but positive reviews about an album, only to pick it up and be blown away by how bad, mediocre, or disappointing it actually is. 2009 had its fair share of critically-adored albums that just never clicked with me (and a few more that just pissed me off entirely). The following list is for the 5 Most-Overrated Albums of 2009. Now excuse me while I go put on my flame-retardant suit.

#5. Bat for Lashes: Two Suns (Metacritic: 77) – No, no, no, there’s some good song’s on here, you have me all wrong, reader. But as far as it being one of the year’s best? Well, I disagree wholeheartedly. Natasha is an extremely talented young lady as evidenced here, and on her previous record, but Two Suns is too often an album that lacks consistency. “Oh this song is amazing, oh this one is alright; this one is totally crazy, this one just put me to sleep.” Thus concludes the insight into my thought process when listening to the album. So to close, allow me to reiterate: tons of talent, doesn’t come together well enough. Fin.

#4. Animal Collective: Merriweather Post Pavilion (Metacritic: 89) – Holy god there’s part of me that wants to put this one at the #1 spot on this list just due to the sheer amount of hype surrounding it. Positive review after positive review after positive review and the only thing I can walk away with after hearing this album is that there is one good song “My Girls.” My honest opinion is that this is Animal Collective’s worst album I’ve ever heard, and I’ve been listening since Sung Tongs came out. So technically that may make it the most overrated, but it’s not the worst album that got rated well…so we’ll move on.

#3. Fever Ray: Fever Ray (Metacritic: 81) – Okay so all I really know is that this album got fantastic reviews from several reputable sources. I check it out, listen to 6 songs and then never give it a serious listen ever again. This album is bad.

#2. Girls: Album (Metacritic: 79) – The most amateur crap I’ve heard since Boddicker. Each song contains mediocre music accompanying really awful (just awful) lyrics sung by a mostly terrible singer. This is why people don’t listen to indie music, because shit like this gets made. It’s one of those albums that you just have to think wouldn’t be around if the artist didn’t have a totally harrowing backstory (they do, I suppose). Personally, I don’t buy into this nonsense. This is easily one of the worst records of the year.

#1. Grizzly Bear: Veckatimest  (Metacritic:  85) – Yeah I know. Believe it or not, I had never heard Grizzly Bear before 2009. Now, like you, I’d been hearing amazing things for years. So when this album dropped at the beginning of the year, I didn’t waste a second picking it up. What I got was a collection of really uninteresting, boring music that did nothing but disappoint time and time again. I’ve seriously listened to Veckatimest several times through but have yet to grasp what the hell everyone is going on about. But hey, at least I know better now.