Archive for March, 2008

myspace musc monday: Springfactory

March 24, 2008

Now that I am finally able to listen to music on myspace, it’s time that I profile a band that I meant to do weeks ago. Sorry it took so long, guys.

Springfactory

Genre: Powerpop
Location: Stockholm, Sweden
Band Members: Lina Cullemark, Peter Gunnarson, Daniel “Våldet” Holmström, Magnus Svedjebratt, and Mikael Hall
Influences: Music and people and hot stuff.

The Short of It: A lo-fi pop band with hints of greatness.


Songs
“It’s a Relief to Give Up” – A pretty simple song without anything that really stands out. The guitars, coupled with Lina’s vocals give off a very early-No Doubt vibe.

“No More” – A delightfully playful tune that features all sorts of instrumentation, including a trumpet and a skittery child’s piano. Lina’s vocals are spot on, and she is backed up by some wonderful harmonies. Definitely one to check out.

“Peggy Pear” – It’s got a very Of Montreal-ish composition, complete with an electronic stutter throughout. There’s also this sound that reminds me of a sound that plays when you lose a life on Super Mario World. The song is an absolute blast to listen to and really portrays a band that knows what they’re doing in the studio.

“Back of your Bike” – Another carefree tune about a 4am bike ride. The band stays away from complicated arrangements and opts instead to just have fun with it without being overpowering. Not the best song on the page, but definitely not the worst.


The Long of It: Lina Cullemark’s vocals are nothing to write home about, but her voice is still relatively charming. The band carries a distinctly lo-fi sound over all the tracks on their myspace page, but songs like “No More” (by far the best track on the page) show that the band is definitely destined for more than tinny garage recordings. I totally enjoy the fact that the music is as playful and carefree as it is, and I look forward to hearing more from the band soon. I may even resort to buying one of their CDs. I haven’t decided yet, but you should definitely check them out.

Links
Springfactory’s myspace Page
Official Site

The Wrens: "The Meadowlands"

March 23, 2008


There are certain albums or artists that cannot escape their backstories. Take, for example, the ever-elusive Jandek, who has released dozens of albums through the mail from a random Houston address and has only performed a handful of times in his career. Then there’s M.I.A., whose father and mother are almost given more importance than the music she creates. In fact, more often than not, these stories sensationalize the artist, making their mediocre or downright awful music seem more artistic or important. The Wrens’ 2003 album is one of those albums whose story has to be told. Fortunately, the album is also one that absolutely must be heard!

Forming in the late 1980s and releasing their first two albums via Grass Records, The Wrens were an indie band on the outskirts. They had a moderate following, but nothing too outstanding. After their 1996 release, Secaucus, Grass Records came under new leadership with a new vision of mass appeal, and even greater profits. The Wrens, whose raw underground rock sound didn’t conform to the label’s grand visions, refused to change their sound and were eventually left without a label. Grass Records soon became Wind-Up Records, home to huge successes like Creed, Finger Eleven, and Evanescence. The Wrens went silent. Without a record label, work on their next album went by slowly. Very slowly. By 2003 most of their small fanbase had moved on, but it was in this year, 7 years after their most recent release, that The Wrens returned with The Meadowlands; a masterpiece of indie and alternative rock.

The story is inspiring to say the least, but it is not the whole reason for appeal. The music contained on this album is absolutely breathtaking! Every track, every second is filled with memories of hope, regret, pain, and beauty. Songs range from heartbreaking ballads like “She Sends Kisses,” – one of my absolute favorite songs, ever – to the uptempo, yet depressing thoughts on the process of making music (“This Boy is Exhausted”). Every song feels raw and unpolished, yet I can’t find a single thing worth changing on the entire album. It is a testament to the 4 years of work that went into The Meadowlands.

The band’s lyrics are often pretty disjointed fragments that you have to put together yourself. It’s as if you’re given a puzzle that’s missing some pieces and it’s your job to imagine what goes in the empty spaces. There are songs about breakups that you can’t shake, feeling trapped in your own life, silly sexual encounters, and pointless relationships. The remarkable thing about every one of them is the amount of musicianship that goes into it all. Each song maintains a certain amount of sing-along-ability, with absolutely infectious vocal melodies. Some less so than others, sure, but everything here is worth listening to, worth making a big deal about.

I have been purposely vague in my review of The Meadowlands (yes, it is one of my worst), as I don’t find it to be an album that one could not accurately portray the greatness of through words. My purpose in writing this review, then, is not to paint you a clear picture of what the album is all about, but rather to pique your interest and encourage you to listen for yourself. Unlike many, perhaps all of the albums that we’ve chosen to feature in our Top 25 Alternative Rock Albums list, The Meadowlands has absolutely no sentimental value to me. I first heard this album in its entirety just over two years ago, and there are no personal anecdotes or memories that accompany each listen. It is just an incredibly solid album that will endure beyond the music of the artists that Wind-Up Records kicked The Wrens to the curb for, and beyond most everything else made in the last decade or so. That’s not too bad for a little band that no one believed in. And while the story of how The Meadowlands came to be may be a nice one to tell every now and then, it pales in comparison to the stories that the band tells through their music.

Key Tracks:
1. “She Sends Kisses”
2. “This Boy Exhausted”
3. “Thirteen Grand”
4. “Boys, You Won’t”
5. “13 Months, In 6 Minutes”

10 out of 10 Stars

Buy from Insound | Buy from Amazon

The Top 5 Alternative Rock Albums (Albums 10-6)

March 22, 2008

We’ve made it to the Top 10! In case you’re just joining us, here are some links to get you caught up.

Albums 25-21
Albums 20-16
Albums 15-11

#10 – Radiohead: Kid A (2000)
Cale says: “Kid A was probably the first big release of the internet age in music. As such, it’s often remembered as one of the first albums that absolutely everybody downloaded – song by song, from Napster. Good times! Personally, I remember the album for other reasons: dark, late night road trips, relaxing in bed, making a fool out of myself at some random stoplight in front of perplexed onlookers. Kid A is a brilliant album, and my personal favorite by Radiohead. It definitely deserves a spot on this list!

#9 – Stone Temple Pilots: Purple (1994)
Erin says: “Purple was one of the first alternative albums that I bought, but definitely one of the best. They had several hits from this album and it’s well deserving of its place in the top 25. My only complaint is that their following albums were not as awesome. “

Cale says: “There are a couple of really great songs on this one that just define alternative rock better than any other could. “Vaseline” and “Interstate Love Song” are obvious favorites that have never gotten old at all.

#8 – Beck: Odelay (1996)
Jill says: “I love it because it’s different yet average and doesn’t get to the spectacular point until the end when you’re treated with “High 5 (Rock the Catskills)” and “Ramshackle.””

Erin says: ” Beck, what can I say? You’re Where It’s At…the New Pollution…with a Devil’s Haircut in my mind. OMG that’s not only the cheesiest thing I’ve ever said, but also the most incoherent statement I’ve ever made. Somehow it seems appropriate. I love Beck and Odelay is fantastic! …and did I mention…Beck’s a musical and lyrical genius?”

#7 – Cake: Fashion Nugget (1996)
Erin says: “Who ever though that speaking most of your words to a background of music could be so popular? Well, Cake did, and their fans agreed. Fashion Nugget is not only one of the most fun albums to “speak” along with, but it’s also super entertaining and a really great contribution to the entertainment industry.”

Jill says: “I don’t know what’s better: “Stick Shifts and Safety Belts” with its lyrics that make me think of cars in a whole new way or “I Will Survive”, a version of a classic anthem I like better than the original.”

#6 – Fiona Apple: Tidal (1996)
Jill says: “Tidal is my essential break-up album. It has been since the first time I heard it. Soulful, sexy, angry, deep. It’s good for the girl anger.”

Erin says: “This chick can sing. True the music on this album is not as “trendy” as some of her other music, but it’s all really real, well thought out, and well performed. She not only has an amazing voice, but her lyrics are to her music like syrup is to waffles. One without the other would seem a little strange, but both together leave you wanting more!”

The top 5 will be announced next Saturday. See you then!

Top 5 Friday: 5 Movies with semi-decent Alternative Soundtracks

March 21, 2008

5. Clueless:

I love it when people don’t realize that Clueless is basically Jane Austen’s novel Emma. It’s one of the few Alicia Silverstone movies I’ll watch and the irony of the entire thing never fails to amuse me. Under that clueless, vapid exterior lies a smart, witty, sensitive Cher that makes a few lifestyle and spiritual changes at the end all orchestrated by a great soundtrack. You’ve got some Cracker, some Lightening Seeds, the Counting Crows, some Radiohead. There’s lots of what I would consider some one-hit-wonder Alternative songs in here, which are the standout tracks for me: Jill Sobule’s “Supermodel” and Luscious Jackson’s “Here”. It’s a charming soundtrack, much in the way the movie is, and nice for when you want a little randomness mixed into your regular listening habits, whatever they may be.

4. The Wedding Singer:

To borrow a quote from Empire Records, shock me, shock me, shock me when I discovered the other day that someone turned The Wedding Singer into a Broadway musical. We all know of my love of musicals but my first question was “Why??” I had to rewind it to make sure it wasn’t a joke and my question still stands, why?

It’s your charming, typical love story of a Cater-Waiter and a really bad wedding band front man engaged to other people who meet and eventually realize that they were meant for each other. (Hello basic plot-line of chick flicks.) The Wedding Singer has a great soundtrack though…The Presidents of the United States of America, The Culture Club, New Order, The Thompson Twins…while it’s not an entirely Alternative soundtrack, its great for those songs that are oddly peppy and make you want to sing along. (I mean really, who doesn’t love singing along to Adam Sandler belting out “somebody kill me please…” while in the car with the windows down?) Standout tracks are “Everyday I Write the Book” by Elvis Costello and “China Girl” by David Bowie, but you really shouldn’t miss or dismiss Ellen Dow plus the Sugarhill Gang doing “Rapper’s Delight”. No, it’s not Alternative, but it’s amusing and well worth the listen.

3. Empire Records:

“This music is the glue of the world Mark. It’s what holds it all together. Without this, life would be meaningless.”

In my house, all things stop and no opportunity is lost to watch Empire Records if it’s on television. With commercials, without commercials, in Spanish…it doesn’t matter. Empire Records is an important movie in my household and around here, you stop what you’re doing to watch it, no matter when it started. And you also know what “Happy Rex Manning Day” means should it be said randomly. We’ve never been able to figure out why, exactly, we have such a great love for the movie, but we do. Independent music store, smart-alecky employees, Rex Manning, and an Atlantic City putting the store at risk of being sold to a large chain all make for a quirky good time. The music is fitting for the movie and it’s got a sort of laid back, relaxed, almost sad Alternative vibe to it. Standout tracks include “Liar” by The Cranberries and “Ready, Steady, Go” by The Meices. What really makes me love this soundtrack, though is “Sugarhigh” by Coyote Shivers, on the soundtrack sans Renee Zellweger. It’s jump-around-on-my-bed goodness that describes a mood I can often be found in.

2. Pretty In Pink:

Okay. Let’s just get this out of the way: did anyone really buy into the idea that James Spader and Andrew McCarthy were young enough to be high school boys? Molly Ringwald and John Cryer were a bit more believable in their roles as Andy and Ducky, but really. James Spader as a high school senior? Even in 1986 he looks so…old. Like 2 packs a day old, but I digress.

I admit it Pretty In Pink isn’t the greatest movie ever. It didn’t really stand the test of time, as it were, for me. I loved it when I was in high school because Andy was just so cool and I desperately wanted to distance myself from the real life Steffs and Blanes that I knew. And she wore a lot of pink, which really, is never an issue for me. What did stand the test of time, though, is the soundtrack. Made up of songs that I loved then and still love now. If I drop off “If You Leave” by Orchestral Maneuvers in the Dark, which I loathe, it’s probably my most favorite movie soundtrack ever. It uses the less popular “Shell Shock” by New Order and “Pretty In Pink” by The Psychedelic Furs is still an Alternative standard for me. There’s Suzanne Vega, there’s Belious Some, there’s Echo and the Bunnymen creating an atmosphere of love, longing, and the awkwardness of not managing to fit in anywhere, even with those that are your own “kind.” The soundtrack ends with probably the saddest Alternative song ever, “Please Please Please Let Me Get What I Want” by The Smiths…so simple. So heartbreaking. Exactly perfect for the movie and exactly perfect for pretty much everyones lives.

I can do without seeing Pretty In Pink anymore, but I’ll never give up the soundtrack.

1. Cruel Intentions:

Oh, how I love Cruel Intentions. Everyone always remembers it for it’s famous in the park kissing scene, but it’s really the dramatic, sad event towards that always gets me. It’s dark, it’s amusing in it’s own way, it’s explicit verging on socially unacceptable, it’s unexpected, it’s sexy. It’s evil. It’s got a perfect soundtrack.

This is one of those soundtracks that seemed to be tailor made for the movie in every way. The songs picked were appropriate for the scenes they played in, meaning plot and music manage to go hand in hand. The Counting Crows “Colorblind” manages to capture the sad trek Ryan Phillippe makes and “Bittersweet Symphony” from The Verve brings you out of the emotional tension the movie pretty much puts you through. It’s a soundtrack that I think best sums up the emotional parts to movie, the Alternative genre especially…it’s got a mix of (musical) acts that talk about love and sex and obsession and the darkness that is sometimes life. If those are the main themes to Alternative music, then I don’t know what is. There’s nothing upbeat about this soundtrack, not really, not even the peppiest of songs manage to cast a happy light to the whole thing.

Standout tracks, even though they all standout in their own ways, must not be missed: “Every Me, Every You” by Placebo and “Comin’ Up From Behind” by Marcy Playground, which is so, so much superior to their “Sex and Candy” single. As far as Alternative soundtracks go, you absolutely cannot go wrong with the Cruel Intentions soundtrack.

Moods – Forgotten

March 20, 2008

Coming up towards the end of our salute to Alternative Rock, I flip idly through the records I keep of every MP3, cd, and vinyl album I have. Thousands upon thousands of listings, in alphabetical order of course, serve to remind me of something: there’s a lot of forgotten music in the Alternative genre.

They come to me in snippets sometimes, these songs that I always catch the tail end of while flipping radio channels or when I catch “Pretty In Pink” on some forgotten cable channel. I always had much love for Iona and could never buy into the idea that James Spader was a high school boy, but the soundtrack always made up for that. These forgotten Alternative songs pop up while I’m watching those “teen dramas” I sometimes favor. There’s Joan telling Adam she’s not crazy even though she sees (and talks to) God on Joan of Arcadia while The Flaming Lips play in the background and Grant Lee Phillips popping up at least 4 times a season on the Gilmore Girls. It’s apparently hip and very retro to use Alternative Music in shows like that and I when I hear them, I always say to myself “I totally forgot about that song.”

My problem is I never remember to seek them out and give them another listen. Not today, though. I’ve been keeping a list this entire month of songs I’ve forgotten but wanted to give a listen to again. Some of them I still love, like The Cardigan’s “My Favorite Game” and “Closing Time” by Semisonic. Some of them I wish I’d never heard, like “Dead Man’s Party” by Oingo Boingo and “Laid” by James. People forget that Alternative Rock covers so, so much musically and to overlook them is almost criminal. Just because you hear it on a Soft Rock station doesn’t mean it’s Pop, not every time.

I’m just waiting for the day when it’s official that these songs are considered “Oldies” and take the place of Elvis Presley and The Byrds on Oldies stations across the country.

There’s a lot of greatness out there and I’m confident I’ll rediscover it as time marches on. Hopefully, this play list will inspire you to seek out those songs you’ve forgotten and give them a whirl to see if they do stand the test of time…

Forgotten, as defined by Websters:

1. to cease or fail to remember; be unable to recall
2. to omit or neglect unintentionally
3. to leave behind unintentionally; neglect to take
4. to omit mentioning; leave unnoticed
5. to fail to think of; take no note of
6. to neglect willfully; disregard or slight

Video of the Week – Week 63

March 19, 2008

So after my first two video choices had “Embed disabled by request” (damn you Universal Music Group!), I decided to pick this one.  Not because it’s particularly memorable or anything, but just because I like the song and the whole retro vibe going on.  Hell, if it weren’t for Scott Weiland’s stupid dance moves, I’d probably watch it more often.  But I don’t, and hopefully you don’t either.

“Big Bang Baby” by Stone Temple Pilots, from the album Tiny Music.

She & Him: "Volume One"

March 18, 2008

Like most people, the first time that I had my suspicions about actress Zooey Deschanel being a talented vocalist came from that scene in Elf where she sings in the shower as Will Ferrell’s character listens. Volume One is not a collection of Christmas Carrols, and Will Ferrell is not the “Him” mentioned in the band – that title goes to the somewhat reputable, M. Ward. Unsurprisingly, the “Him” is pretty deemphasized on the album, letting Zooey shine as a vocalist and a songwriter. The result is a surprisingly solid, moderately impressive debut from a woman that proves that she’s more than just a dumb crossover act.

Most of Volume One is filled with songs that throwback to classic pop and country sounds, and all of them are at least partially written by Deschanel, herself. “I Thought I Saw Your Face Today” just makes me think of Zooey singing this song in a long dress through one of those old-timey radio microphones. Sweeping strings and subtle guitars emphasize the right moments, and carefree whistles really add a sense of playfulness that make the song feel more authentic. “Change Is Hard” conveys more of a classic country picture, like the obligatory scene in every music biopic where the artist plays in a radio studio over the air for the first time as stunned personnel look on in awe. Deschanel’s lyrics are often a bit simplistic, but Ward, as producer, is able to utilize them in ways that mask their mediocrity.

That’s never more apparent than on the album’s standout track “Why Do You Let Me Stay Here?” Zooey sings, “Why do you let me stay here all by myself? Why don’t you come and play here? I’m just sitting on the shelf.” First off, rhyming “self” with “shelf” is one of the easiest and most-overused schemes in songwriting. It rarely makes any sense, as is the case here. I mean, who actually sits on a shelf? Small gripe, I know, but the point is that the lyric – which is pretty pivotal in the song – is barely a bother because the song itself is so fun and captivating. Ward’s production, filled with dancing pianos, wonderfully-used guitars, and some of the best background vocals I’ve heard in ages, manages to wipe away any blemish that Zooey might have brought on herself.

But Volume One is never an album that tries to be overly complicated or impressive. As a side project for both artists, it more or less feels like they just set out to had fun. That feeling is conveyed pretty often too. Album opener, “Sentimental Heart” is just begging for you to add your own vocals, and “I Was Made For You” doesn’t even come close to being a meaningful or memorable song. It’s simply a way for the two musicians to have fun. Fans of Ward’s vocal work may be a bit disappointed with the album, as this is really Zooey’s chance to shine, but there are a few moments here and there (like on “You Really Gotta Hold On Me”) where he peeks his head above the water and makes his presence clearly known.

Sadly, as I hinted above, Zooey’s first musical endeavor is not near as quirky or interesting as the characters she often plays in the movies. There seems to be this trend in the indie music world for female musicians to pay tribute to , or imitate the classic artists who influenced them. Like Jenny Lewis’ debut solo LP, Volume One isn’t going to sound very original or inspired and as a result it isn’t all that memorable either. Let’s be honest, folks are going to pick up this album because it’s Zooey Deschanel and they may even give it some solid spins for a few weeks, but it’s lack of originality might just serve as it’s downfall. Still, Zooey’s voice is just as charming as ever, and her personality manages to seep its way into every song on Volume One. That alone is enough reason for me to give it a solid recommendation. Needless to say, if you found yourself falling in love with that scene in Elf, She & Him might just be worth checking out.

Key Tracks:
1. “Sentimental Heart”
2. “Why Do You Let Me Stay Here?”
3. “This Is Not a Test”
4. “I Thought I Saw Your Face Today”
5. “Black Hole”

7 out of 10 Stars
Buy from Insound | Buy from Amazon

myspace music….filler?

March 18, 2008

Remember a few weeks ago when myspace music monday was cancelled due to technical difficulties?  Well, it’s back!

Here’s the deal.  About a month or so ago, my once-top o’ the line PC went kaput so I went out and had a few drinks to console myself.  The next day, I woke up at some ungodly hour with a pounding headache and a 68 lbs. noggin.  I roll over to my right, and what do I find sitting next to me but a brand new MacBook?  Talk about awkward!

After a long talk we decided to give our relationship a real shot!  I started using it for work purposes and for the purposes of this blog.  But then something went sour (no not that!).  Try as hard as I might, I have been relatively unsuccessful in trying to get any music player on a myspace page to play.  Last week I got SumKid’s player going only after about 45 minutes of refreshing the page.  Needless to say, such a task is not only annoying, but downright rude!  I mean, I could’ve just kicked the MacBook out and never called it, but I tried to make things work.  This is how it repays me?

So the point of this whole story is this.  I had a myspace music monday planned for today (you can ask my other writers to verify…there’s a barely-written entry that I didn’t publish), but for some damned reason I cannot get music to play on myspace.  I’ve ordered a copy of Windows XP that should be in by the end of the week, and hopefully I’ll be able to work things better from there.

“Hi, I’m a Mac.”

“And I’m a PC.”
“I suck at myspace.”
“I suck at being reliable and not hogging resources.”
“Cale has huge problems with me once a week when it’s most inconvenient for him.”
“Cale was just fine with me until I **** him in the *****.”
“Whoah!”

Hey, in the meantime, if you have any suggestions for future myspace bands that I should profile, just leave a comment below.  I love you, reader.  Goodnight.

Cake: Fashion Nugget

March 16, 2008

So here we meet for yet another Alternative Retro Review, and this week, the musical pioneer is the famous “talk rock” band, Cake. Fashion Nugget, released in 1996, was truly one of the first of it’s kind. True there had been other bands who’d done the same thing a decade before, but none had tapped into this genre or attained quite the success as Cake. With their hit, “The Distance”, this album spread like wildfire. I know within my little high school freshman click of 5, we each had a copy (dumb I know, but I like to throw a touch of personals into everything I write). It was the album to have. It was trendy to adults and teens alike and much different than other bands out there. So, without further ado, please embark with me on the journey known as Fashion Nugget.

The album begins with a snazzy and jazzy track called “Frank Sinatra”. It’s a fun one, with quirky lyrics and lots of personality, a characteristic very common with many of Cake’s songs. There’s also a good use of horns in this song, which give it that jazzier element. Don’t let the title fool you though… I’ve never found this song to be remotely about Frank other than the brief mention of the late singer’s name performing, “Stormy Weather”. I think it’s purely one of the random things that cake chose to do. It’s a great song that is one of my favorites on the album. “The Distance” speaks for itself. Most people have heard the song at one point or another and some of you, like me, have probably played it endlessly upon opening your copy of Fashion Nugget. It’s a funky track that seems to be about “being in a race”, though things are not always what they seem (as Cale noted in his Sia Concert Review, about the song Lentil). This song is all “talk rock” except for the background vocals, which is so cool to me. I’ve listened to, and loved “The Distance” so much, I’d almost forgotten, that lead singer John McCrae never sings a single note in the entire song. Crazy…

“Friend is a Four Letter Word” is a slower track that’s a little more solemn, but still very memorable and fun to sing to. In fact, I hadn’t heard this album in probably 2 years, but when I put it in the other day and sang along with every word to this song, it was as if I’d listened to it every day. The chorus is comprised of the lyrics, “To me, coming from you, friend is a four letter word. ‘End’ is the only part of the word that I heard, call me morbid or absurd, but to me, coming from you, friend is a four letter word.” Nope, I don’t know what it means, but I like singin’ it. By this point in this album, you know that the trumpet is not only a one song feature, but it’s practically an additional band member, it’s used so often. It’s also a great addition to this song. “Open Book” is another one of my favorite songs on the album, because it’s quite similar to going the distance, as far as musical sound. There’s no “talking” in this song, but the overall musical feel is identical. It’s got similar guitar effects, percussion, and goofy lyrics. My favorite part of this song is during the chorus, when McCrae says, “You may think she’s an open book, but you don’t know which page to turn to, do you, do you, do you?” It may not read like much, but when executed, it’s a nice effect. There’s also some abrupt dissonance in the chorus, which I find super cool. Did I mention that the beginning of the song almost makes me feel like a high hippie?

“Daria” is an interesting song, but not one of my favorites. It’s got some good things working for it, like good lyrics, some new percussion, and a lot of changes in general sound throughout the song. I just feel like, overall, they have more entertaining tracks on Fashion Nugget than “Daria”. However, “Race Car Ya-Yas” is a fantastic song on this album, probably the best if you’re into Cake’s talk rock feel. The entire song, a 1:21, is “The land of race car ya-yas. The land where you can’t change lanes. The land where large, fuzzy dice, still hang proudly, like testicles from rear view mirrors”. Just because this song is spoken, don’t feel like it’s identical to “The Distance”. The trumpet has some crazy sounding solos, the guitar has a very different sound to it, and the percussion is not similar at all. Not to mention, this song is completely hysterical, which adds to the entertainment factor. “I Will Survive” is of course, a cover, but it’s a well done cover. It follows the same path as the original, just with McCrae’s vocals and the addition of, “I should’ve changed my f&@#in’ lock”. Other than that, it’s a well done cover with a good guitar solo right in the middle…oh and you won’t be ashamed of singing this one out loud.

“Stickshifts and Safetybelts” has a country feel to it because of the guitar melody and peppy percussion, but it’s most definitely entertaining. It’s a cute little track about how the driver of the car feels like stickshifts and safetybelts get in the way of his “baby” sitting next to him when he’s driving. It’s another one that I really like a lot on this album. “Perhaps Perhaps Perhaps” is a little bit overrated in my opinion. The trumpet is excellent in this song, but I think the lyrics are a little on the dull side. Musically, except for the trumpet, it’s not too entertaining. You can do better on this album. I feel exactly the same way about “It’s Coming Down”, except for in this song, I think the background vocals are great. If the song was simply background vocals, I’d love it, otherwise, see the previous song’s description and omit “trumpet”.

…and we’re back to Cake’s talk rock again with “Nugget”. This song is also funny, but slightly awkward to listen to in front of the parents and/or preachers. Every other word in this song is f@$#…and it’s not subtle. I’m not sure what this song is about though, because the lyrics in this one are way random. If you don’t mind the overly used word f@$# in this song, it’s actually pretty entertaining and the music itself is good too. “She’ll Come Back to Me” is another song with a country-flair feel. In fact, with it’s sad, yet hopeful lyrics, I think that if this song had a different vocalist, you might hear it in a country bar. This song also makes good use of the trumpet in a few spots, and though it’s a sad song, the music remains fairly light. The steel guitar just makes me want to have a beer or something… “Italian Leather Sofa” is a cheerful song that I generally find myself listening to rather than singing along with. My complaint about this song is that it’s too freakin’ long for them. All of their other songs average 2-3 minutes, but this one is almost 6 minutes long. I like the song enough, but not for 6 minutes. Musically, it’s not bad though. “Sad Songs and Waltzes” is a slow track that is instrumentally sparse and it seems like a strange way to end their generally upbeat album. However, it’s a good one with nice lyrics and some good harmonies.

Fashion Nugget was a success for Cake and it still remains one of my favorite Alternative Rock albums of the 90’s. It was just so unique back then, and now, over 10 years later, it’s still just as unique. I feel like if you didn’t own this album in the 90’s you missed out, and if you still don’t own it, you should definitely add it to your collection.

Key Tracks:
1. Frank Sinatra
2. The Distance
3. Open Book
4. Race Car Ya-Yas
5. Stickshifts and Safetybelts

7 out of 10 stars

The Top 25 Alternative Rock Albums (Albums 15-11)

March 15, 2008

#15 – The Cure: Kiss Me, Kiss Me, Kiss Me (1987)
Jill says: “Quite simply, the lyrics of track 16, “A Thousand Hours”: ‘A thousand wasted hours a day/Just to feel my heart for a second/A thousand hours just thrown away/Just to feel my heart for a second…'”

#14 – New Order: Substance (1987)
Jill says: “I could write volumes about New Order. I could write a novel about this album. I have every single New Order and Joy Division album there is to have. I have it on cd, I have it on vinyl, I have it on rare, very expensive bootleg vinyle. I paid an exorbiant amount to see them live. It’s dark, it’s deep, it’s dirty, it’s clever in it’s hidden messages. I am not a “Blue Monday” and “Bizarre Love Triangle” kind of girl. To find me on that album, you have to look elsewhere: “Everything’s Gone Green”, “Thieves Like Us”, “Procession”, “1963”, and the song that ranks 2nd on my list of all time favorite songs, “Perfect Kiss”.”

#13 – The Flaming Lips: At War With the Mystics (2006)

Cale says: “The Flaming Lips have a career that spans the life and death of several genres. 80s metal, hair bands, new wave, grunge rock; the list goes on and on. Through it all, the band has remained true to their psychedelic rock roots while remaining as innovative and entertaining as ever. They experienced sort of a rebirth in the late 1990s and since then have created some of their strongest albums ever. In my opinion, it is their most recent album, At War With the Mystics, that tops them all! Every second of this album is breathtaking, filled with such dense compositions that you’re bound to catch new things you’ve never heard before with almost every listen! It is an amazing achievement for any band, much less a band that’s been around for over two decades.

#12 – Tears for Fears: Songs from the Big Chair (1985)
Jill says: “Honestly, don’t dismiss Tears for Fears the way I did for so long. “Shout” is the most recognizable but not the best track. “Everybody Wants to Rule the World” is fantastic but it’s “Head Over Heels/Broken” that is the true gem. It’s a live track but that doesn’t take away from the simple genius of it. I used to not like Tears for Fears, but the older I get, the more I realize they are truly quiet a talented pair.”

Cale says: “I don’t think there has ever been an album cover that screams “Alternative Rock!” more than this one. And who could argue with the fact that “Shout” is the most rockin’ song this side of Metallica? Only a fool, friends. Only a fool.”

#11 – Depeche Mode: Songs of Faith and Devotion (1993)
Jill says: “It is one of the few albums I will listen to from beginning to end without skipping over anything. “Walking In My Shoes” is by far my favorite, “In Your Room” is so sexy it makes me blush, and “Higher Love” just makes me want to start the entire thing over again.”

Erin says: “Depeche Mode never gets old and neither does Songs of Faith. I’m pretty sure that I’ll be singing these songs when I’m well into my twilight years, but hey, they’re that good.”